RIDER ATTACHED TO AND HEREBY MADE A PART OF CONTRACT DATED ______________________
BETWEEN GLEN CAMPBELL ENTERPRISES LTD., (HEREINAFTER REFERRED TO AS
"PRODUCER") FOR THE SERVICES OF GLEN CAMPBELL (HEREAFTER
REFERRED TO AS "ARTIST") AND __________________________________
(HEREINAFTER REFERRED TO AS "PURCHASER"), COVERING ENGAGEMENT
AT _____________________________ ON _____________________________.
It is hereby mutually agreed between the parties as follows:
- PRODUCER
PRODUCER shall supply the following, at his sole cost and expense
for this engagement:
- The services of ARTIST.
- The services of such supporting act or acts as deemed necessary
by ARTIST.
- A musical conductor, and such other accompanying musicians as
deemed necessary by ARTIST, other than those set forth in Paragraph
3 below.
- A stage manager.
- A reasonable supply of pictures and biographical material on the
performing personnel.
2. CREATIVE CONTROL
CREATIVE CONTROL and content of the entire presentation is at the
sole discretion of PRODUCER who reserves the exclusive right to determine
the content of the performance rendered hereunder, including without
limitation, the length and choice of each musical composition performed.
PURCHASER shall pay any public performance fees and shall obtain any
public performance licenses required with respect to any musical composition
performed during the performance.
3. SUPPORTING ATTRACTION(S)
SUPPORTING ATTRACTIONS, if any, and the length of their performance(s)
must be approved by PRODUCER or PRODUCER’S agent, WILLIAM MORRIS AGENCY,
INC., in writing, not less than two (2) weeks prior to the applicable
engagement. No performer(s) not approved by PRODUCER or PRODUCER’S
agent, WILLIAM MORRIS AGENCY, INC., in writing, in advance, shall
perform as part of the presentation by PURCHASER of which presentation
ARTIST’S performance is to be part.
4. PERSONAL APPEARANCES
The ARTIST will not be available for interviews, press conferences,
receptions, autograph sessions, or any other type of personal appearance
before or after the engagement contracted herein, without prior written
approval from the PRODUCER.
5. RECORDING
PURCHASER shall not permit and will prevent the photographing, recording,
filming, taping or broadcast of the performance of ARTIST hereunder,
or any portion thereof without the express written consent of the
PRODUCER in advance. In the event any consent, directly or indirectly,
PRODUCER shall have the right to immediately terminate this agreement
without liability of any kind or character whatsoever and PURCHASER
shall be fully liable and responsible to PRODUCER for any and all
damages suffered by PRODUCER due to such authorized recording.
6. INDEMNIFICATION
PURCHASER shall hold ARTIST harmless, at PURCHASER’S sole cost and
expense, for concert hall rentals, promotion and publicity costs,
sale and printing of tickets, ushers, local staff, stage crew, sound,
lighting, stage facilities, all local union dues, and all music performance
fees. PURCHASER expressly holds PRODUCER harmless and indemnifies
PRODUCER from and against any and all claims, including reasonable
attorney’s fees relating to the elements of halls and equipment, injuries
to persons upon the premises owned or rented by PURCHASER, and all
other costs in connection therewith.
7. WORK PERMITS
PURCHASER warrants and agrees to procure for PRODUCER at PURCHASER’S
sole cost and expense the necessary work permits, union permits and
other permits or documents of any nature whatsoever necessary or advisable
to enable PRODUCER to render services hereunder. In the event PURCHASER
fails for any reason to obtain any of the foregoing permits or documents,
thereby making it legally impossible, impractical or inadvisable for
PRODUCER to provide agreed upon services. PRODUCER shall be relieved
of all obligations to provide said services and PURCHASER shall be
liable to PRODUCER for any and all damages suffered by PRODUCER by
virtue of PURCHASER’S breach of the aforementioned warranty.
8. UNION
In the event there are any local union or guild charges in connection
with any of the personnel or services to be furnished by PRODUCER
or PURCHASER, PURCHASER shall adhere to any and all union or guild
regulations which may affect the equipment and staging related to
PRODUCER’S performance hereunder and shall be solely responsible for
and assume all such costs. Musician AFM local #’s are listed on the
Personnel Roster on page 14.
9. TICKETS
PURCHASER agrees to have any and all admission tickets for his engagement
printed by a recognized bonded ticket printing company, and PURCHASER
shall furnish ARTIST or ARTIST’S authorized representative with a
certified copy of the ticket manifest.
Unless otherwise agreed to in writing by ARTIST, the house will be
scaled on a reserved-seat basis, with all tickets numbered by seat
according to the house seating chart. PURCHASER shall furnish ARTIST
or ARTIST’S authorized representative with a copy of said house seating
chart at least two (2) weeks prior to the engagement. Prices of tickets,
unless otherwise agreed upon, are to be as follows: ______________________________,
including taxes.
PURCHASER shall not distribute complimentary tickets or allow free
admissions for the presentation, the total number of which would exceed
one percent (1%) of the official house seating capacity. Further,
PURCHASER must supply ARTIST or ARTIST’S authorized representative
with an exact statement detailing to whom each complimentary ticket
was given. PURCHASER further agrees to supply proper radio, television,
and newspaper personnel and their families with complimentary tickets
from the above-mentioned allotment. Further, it is agreed that PURCHASER
shall hold twenty (20) complimentary tickets per show in reserve for
ARTIST. Said tickets will be provided free of charge to ARTIST and
delivered to ARTIST’S tour manager prior to performance. Unused tickets
will be returned to the box office prior to show time for sale by
PURCHASER.
10. BOX OFFICE
In the event payment to PRODUCER for the performance hereunder is
based in whole or in part upon a percentage of receipts of the performance(s)
hereunder, the PURCHASER agrees to the following:
- A written box office statement certified and signed by PURCHASER
shall be furnished to PRODUCER or PRODUCER’S authorized representative
during or immediately after each of the performances by ARTIST.
- A representative of PRODUCER shall have the right at all times
during the presentation and afterwards to enter the box office and
to inspect the records of PURCHASER and the owner of the location
of the presentation relative to the gross receipts for the presentation.
- PURCHASER shall not sell any tickets to the presentation hereunder
as part of a series of other concerts without the prior written
consent of PRODUCER or PRODUCER’S authorized representative.
- All tickets offered for sale for the presentation shall be offered
without discounts. Unless approved in writing by PRODUCER or PRODUCER’S
authorized representative, there will be no reduction in the prices
of tickets for any reason (including, without limitation, the reason
of advance purchase of tickets or student prices or otherwise).
- If for any reason PRODUCER or PRODUCER’S authorized representative
questions the means or methods used by PURCHASER in reconciling
the box office statement in connection with this engagement, then
PRODUCER shall have the right, should PRODUCER so desire, to base
any earned percentage due PRODUCER under the terms of the contract,
upon the number of ticket stubs collected by the ticket taker.
11. LIMITATIONS
The obligations of the ARTIST are subject to detention or prevention
by sickness, inability to perform, accident to means of transportation,
acts of God, riots, strikes, labor difficulties, epidemic or any other
acts or occurrence which is beyond the reasonable control of ARTIST.
12. ENDORSEMENTS
The name of ARTIST may not be used and/or associated, directly or
indirectly, with any product or service, without PRODUCER’S written
consent.
13. BILLING
PURCHASER agrees to adhere to the following billing in all manner
and forms of advertising in connection with the engagement, including
but not limited to, paid newspaper advertising, publicity releases,
programs, fliers, posters, signs, billboards and marquees. No other
name or names shall be billed or used in connection with this engagement
without the express written consent of PRODUCER or PRODUCER’S authorized
representative. It is specifically understood that the same style
of boldness, thickness and color of type will be used throughout and
in the relative sizes as specified below.
In Person 10%
GLEN CAMPBELL 100%
14. PROGRAM BOOKS
PRODUCER reserves sole, exclusive and irrevocable rights to the sale
of all program books during the period of this engagement. The distribution
or sale of any program book (souvenir or give-away), other than PRODUCER’S
program book, must be approved by PRODUCER or ARTIST’S agent, WILLIAM
MORRIS AGENCY, INC., two (2) weeks prior to the date of the engagement.
15. BREACH OF CONTRACT
Without limiting the PRODUCER’S right under any other provision or
these riders, PURCHASER agrees that any failure of PURCHASER to abide
by any of these riders shall entitle PRODUCER to terminate all obligations
hereunder to PURCHASER and PURCHASER shall remain liable to pay all
compensation agreed to be paid to PRODUCER hereunder. All provisions
of said riders are "of the essence."
16. CANCELLATION PRIVILEGES
PRODUCER reserves the right to cancel this engagement no later than
thirty (30) days prior to play date by notice in writing to PURCHASER
at address given on contract.
17. OUTDOOR ENGAGEMENTS
Notwithstanding anything contained herein inclement weather shall
not be deemed to be a force majeure occurrence, and the PURCHASER
shall remain liable for payment of the full contract price, even if
the performance(s) called for herein are prevented by such weather
conditions. PRODUCER shall have the sole right to determine in good
faith whether any such weather conditions shall render the performance(s)
impossible, hazardous or unsafe.
18. GROUND TRANSPORTATION
Purchaser to provide and pay for one (1) sedan with driver, one (1)
full-size twelve (12) passenger van with driver, and one (1) full
size cargo van with driver, and without seats. We carry thirty
(30) large pieces of baggage and equipment. A trailer or open truck
is NOT acceptable. As we fly to most of our dates ground transportation
is always required.
FOR MORE INFORMATION ON GROUND TRANSPORTATION, PLEASE VISIT OUR
PRODUCTION WEB SITE www.tourdog.com
19. RUNNER
A representative of the Purchaser with a car and a good knowledge
of the area must be present during band load-in, sound check, show
time and load out.
20. TAXES
Purchaser shall pay and hold PRODUCER harmless of and from any and
all taxes, fees, dues and the like relating to the engagement hereunder
and the sums payable to PRODUCER shall be free of such taxes, fees,
dues and the like.
The PRODUCER’S FEDERAL TAX ID # is 95-2554322
21. CHOICE OF LAW/FORUM
This agreement shall be deemed made and entered into in the State
of California and shall be governed by all of the laws of such State
applicable to agreements wholly to be performed therein.
22. ANTICIPATORY BREACH
If on or before the date of any scheduled performance hereunder,
the financial standing or credit for Promoter has been impaired or
is unsatisfactory, PRODUCER shall have the right to demand payment
forthwith of the guaranteed compensation specified above, and if Promoter
fails or refuses to make such payment forthwith, PRODUCER shall then
have the right to cancel this agreement. In the event of such cancellation,
PRODUCER shall have no further obligation to PURCHASER hereunder,
and shall retain any monies theretofore paid to PRODUCER by PURCHASER.
23. INSURANCE
Purchaser agrees to provide comprehensive general liability insurance
(including, without limitation, coverage to protect against any and
all injury to persons or property as a consequence of the installation
and/or operation of the equipment and instruments provided by PRODUCER
and/or its employees, contractors and agents). Such liability insurance
shall be in the amount required by the venue, but in no event shall
have a limit of less than One Million Dollars ($1,000,000.00) combined
single limit for bodily injury and property damage. Such insurance
shall be in full force and effect at all times PRODUCER or any of
PRODUCER’S agents or independent contractors are in place of performance.
PRODUCER and its agent for the engagement, WILLIAM MORRIS AGENCY,
INC., shall be listed as additionally-named insureds under such insurance
and this shall be indicated on the pertinent certificate of insurance.
PURCHASER also agrees to provide a policy of Workman’s Compensation
covering all of PURCHASER’S employees or third-party contractors.
PURCHASER further agrees to provide full all-risks insurance coverage
for all equipment and instruments provided by PRODUCER and/or its
employees, contractors and agents against fire, vandalizing, theft,
riot, or any other type of act or event causing harm or damage to,
or loss of, the instruments and equipment so provided. Certificates
of insurance relating to the coverage listed above shall be furnished
by PURCHASER to PRODUCER at least fourteen (14) days prior to the
Engagement.
PRODUCER’S failure to request or review such insurance certificates
shall not affect PRODUCER’S rights or PURCHASER’S obligations hereunder.
The PURCHASER warrants that he has complete and adequate public liability
insurance. This certificate must be produced to the PRODUCER upon
request.
24. MERCHANDISING
The PURCHASER will provide a well lit secure place to erect a merchandising
stall. This shall be in such a position as to be easily visible to
the public using the main entrance. This is to be at no cost to the
PRODUCER. PURCHASER agrees that its arrangement for presenting the
engagement provided for herein shall prohibit the sale of souvenir
or similar merchandise on the premises in connection with this engagement
other than ARTIST’S official merchandise furnished by PRODUCER.
25. FORCE MAJEURE
Producer’s obligation to furnish the entertainment until referred
to herein is subject to the detention or prevention by sickness, inability
to perform, accident, means of transportation, Act of God, riots,
strikes, labor difficulties, epidemics and any act or order of any
public authority or any cause, similar or dissimilar, beyond Producer’s
control.
Provided Artist is ready, willing and able to perform, Purchaser
agrees to compensate Producer in accordance with the terms hereof
regardless of Act of God, fire, accident, riot, strike or any events
of any kind or character whatsoever, whether similar or dissimilar
to the foregoing events which would prevent or interfere with the
presentation of the show hereunder.
AGREED TO AND ACCEPTED:
___________________________________ __________________________________
PURCHASER GLEN CAMPBELL ENTERPRISES, LTD.
f/s/o GLEN CAMPBELL
ADDENDUM A
TECHNICAL REQUIREMENTS
1. INSTRUMENT REQUIREMENTS:
- One (1) Fender Hot Rod Deluxe Amplifier (Glen).
- One (1) 8' x 8' carpet for Glen (must be in good shape).
- One (1) Yamaha Six Piece Recording Drum Kit (Power Toms) complete
with all associated hardware and including New and Tuned Heads,
Six (6) Cymbal Stands, Hi Hat Stand, Snare and Stand, Kick Pedal,
and Adjustable Drum Throne (Gary).
- One (1) 8’ x 8’ carpet for Drum Kit (Gary).
- One (1) Ultimate Support System Apex Keyboard Stand (T.J.).
- Six (6) Mannhasset Music Stands (not Wire) with Lights and Spare
Lamps.
Note: Any substitutions must be approved.
FOR THE MOST UP TO DATE BACKLINE INFORMATION, PLEASE VISIT OUR
PRODUCTION WEB SITE www.tourdog.com
2. SOUND REQUIREMENTS
PURCHASER agrees to furnish, at his sole expense, a complete professional
quality sound reinforcement system for audience and stage.
HOUSE SOUND:
The preferred system is a E A W 4-way system, minimum. The model,
size, amount and placement is contingent on the size and acoustic
properties of the Venue. There will be a proper number of power amps,
processors, graphic equalizers and other related equipment as required
by these same factors. The system will be capable of producing at
least 100db at 100 feet and decreasing not more than 6db each additional
100 feet. Response of the system must range from 65hz to 12,000hz
being reasonably flat and still sounding natural within these frequencies.
The mixing console must be of professional quality, with a minimum
of 40 low impedance microphone inputs. Yamaha or Midas is preferred.
A professional quality Digital Reverb, DDL and six (6) Compressors
are also required. Please see our most current stage plot and input
list for details. The console and related gear must be located in
the house (seating section) of the venue. The system should be in
phase and free from audible distortion, hum, buzz and related grounding
issues as determined by the ARTIST’S representative.
If an outside sound mixing and lighting system is used, then a space
shall be provided in the house (seating section) of the venue for
a mixing console, operator and related equipment. This shall be at
least fourteen (14) feet by eight (8) feet or the equal amount of
seats. This space shall not be more than one hundred (100) feet or
less than fifty (50) feet from the apron of the stage. It also shall
not be more than fifteen (15) feet off the center axis of the stage.
In this space, it is necessary that we have a six (6) foot by three
(3) foot (approximately) table, 110 volt, 20 amp A.C. power, two (2)
chairs and headset communication system supplied by the theater. It
is also necessary that we run a snake, multi-pair microphone cable
thirty-two (32) line minimum to this location from backstage. If necessary,
a space may also be needed down stage of the performance area both
right and left of the proscenium for the placement of two (2) speaker
stacks, 8 feet by 8 feet. The location shall be determined by the
ARTIST or ARTIST’S representative.
MICROPHONES:
PURCHASER further agrees to provide, at PURCHASER’S sole cost and
expense, thirty-two (32) microphones and all necessary cabling and
harnesses to complete the system. In addition, Ten (10) standard size
microphone stands with booms, Twelve (12) short microphone stands
with booms and Ten (10) active instrument direct boxes are required.
Acceptable microphones:
Shure SM 52
Shure SM 57’s
Shure SM 58’s
Shure SM 98’s
Sennheiser 421’s
AKG 414’s or 451’s
MONITORS:
PURCHASER further agrees to provide a thirty-two (32) channel monitor
mixing console capable of bridging the thirty-two (32) mic lines being
used on stage. Each input shall have eight (8) separate and independent
sends. Yamaha, Midas or Soundcraft Monitor Consoles are preferred.
This console must be placed directly off stage left on the sound wing
on a three (3) foot by six (6) foot table with a headset communication
system to the house mixing console that is separate from the lighting
communication system.
The stage monitor speaker system must be ten (10) slant type monitors,
comprised of EAW, JBL or Meyers components in a 2 way bi-amp configuration.
There will also be one graphic equalizer and processor for each of
the eight (8) sends. Each of the monitor sends must be powered by
a separate 200 watt minimum power amp. All monitors must be able to
be placed anywhere on stage.
ARTIST shall have the right to test the sound system, to be furnished
hereunder at any time prior to the commencement date of and/or during
the engagement. PURCHASER agrees to remedy any deficiencies or variations
as determined by the ARTIST hereunder or ARTIST’S appointed representative.
PURCHASER agrees that there shall be no alterations or variations
from the sound system to be provided hereunder without the prior written
approval of the ARTIST and/or ARTIST’S appointed representative. It
is specifically understood and agreed that said representative of
the ARTIST shall have sole and absolute authority in mixing and controlling
all sound equipment during rehearsal and each performance scheduled
herein. It shall be at ARTIST’S or ARTIST’S representative’s sole
discretion whether or not the house system shall be used in connection
with, or in lieu of, the system provided by the PURCHASER.
In the event PURCHASER cannot provide a sound and monitor system
acceptable to ARTIST’S representative, ARTIST has the unequivocal
right to furnish his own sound system at the sole expense of PURCHASER.
This expense shall not amount to more than $5,500.00 per day of performance.
ARTIST further reserves the right, at all times, to install any additional
sound equipment ARTIST or ARTIST’S representative may deem necessary,
at the sole cost of the PURCHASER.
FOR THE MOST UP TO DATE STAGE PLOT AND MIC INPUT LIST, PLEASE VISIT
OUR PRODUCTION WEB SITE www.tourdog.com
3. LIGHTING:
PURCHASER shall provide two (2) spotlights with experienced operators,
and a complement of gel colors in the following order: flesh pink,
special lavender, red, medium blue, blue green, and amber. These lights
must have an iris and shutter in operating condition for blackouts,
fades, etc.
NOTE: Four (4) spotlights with operators are required in arena staging.
PURCHASER shall provide variable stage lighting in the following
configuration which specifics are alterable only at the direction
of ARTIST’S representative.
Front Truss - 40 feet in length with 24 1K Par Cans (medium) in groups
of 4 cans each.
Back Truss or Trees - 24 1K Par Cans (wide) in groups of 4 cans each.
In addition, the following lights are required and will be placed
at the direction of ARTIST’S representative:
Lekos - 1K watts 8 - 6 x 9
Dimmers - 12 circuits of 6K ability
12 circuits of 2.4K ability
2 scene preset 24 channel control head with enough cable
to be placed adjacent to the sound console.
PURCHASER shall provide, free of charge to ARTIST, two (2) sets of
black legs and black backdrop.
PURCHASER shall further provide a headset communication system with
stations to all spotlight operators, house electrician, house light
operators, side of stage, flyrail with the main station located at
the lighting console.
PURCHASER shall provide, free of cost to ARTIST, a power source of
400 amps per leg of 3 phase 4 wire circuit for stage lighting. Said
power source shall be a separate and isolated power source from that
required for sound.
In the event PURCHASER cannot provide the listed lighting requirements
to ARTIST, meaning the system is unacceptable to ARTIST’S representative,
ARTIST has the unequivocal right to furnish ARTIST’S own lighting
at the sole expense of the PURCHASER. This expense shall not amount
to more than $5,500.00 per day of performance. Any independent lighting
company contracted must have prior approval of ARTIST or ARTIST’S
representative.
FOR THE MOST UP TO DATE STAGE PLOT, PLEASE VISIT OUR PRODUCTION
WEB SITE www.tourdog.com
4. DRESSING ROOMS:
PURCHASER shall provide, free of cost to ARTIST, two (2) properly
maintained clean dressing rooms. Said rooms shall have doors with
locks, twelve (12) clean hand towels, twelve (12) clean glasses, twelve
(12) clean china coffee cups with saucers and spoons (paper or Styrofoam
is not acceptable). Two (2) clean private locked lavatory facilities
for both MR. CAMPBELL and the band. Said lavatory facilities shall
be within or in close proximity to the dressing rooms.
- One (1) dressing room shall be designated MR. CAMPBELL’S room.
It shall contain the following: four (4) comfortable chairs, a couch,
rugs, a dressing table, a well-lit, clean mirror, a minimum of two
(2) feet by three (3) feet in size (no tinted mirrors), two (2)
A/C outlets with extension cords, if necessary, to reach the dressing
area, coat hanger facilities for a minimum of twenty (20) garments.
The room shall be maintained at a comfortable temperature not to
below 70 F.
- One (1) dressing room shall be designated the BAND dressing room
for exclusive use of MR. CAMPBELL’S band. It shall contain the following:
four (4) comfortable chairs, a couch, rugs, three(3) dressing table,
three (3) well-lit clean mirrors, a minimum of 2’ x 3’ in size (no
tinted mirrors), coat hanger facilities for a total of forty (40)
garments.
5. PRODUCTION OFFICE
PURCHASER shall provide, free of cost to ARTIST, one (1) dressing
room or production office shall be designated the PRODUCTION OFFICE
for exclusive use of MR. CAMPBELL’S traveling production staff. It
shall contain the following: two (2) comfortable desk chairs, one
(1) table, and two (2) direct dial telephone with local call access.
This office shall be clean, well lit and have sufficient ac power
for computers and fax machines. Also, it should be located as close
to Mr. Campbell’s dressing room as possible.
6. ACCESS
Access to all dressing rooms, the artist’s production office and
lavatories referred to in this rider shall be restricted to ARTIST
and ARTIST’S representatives. Keys to all such rooms will be provided
to ARTIST’S tour manager.
7. SECURITY
- PURCHASER guarantees proper security at all times to insure the
safety of ARTIST, the members of ARTIST’S group and ARTIST’S representatives
and employees and for all the personal property of ARTIST and said
persons. Such security shall be available at all times when ARTIST
or such persons are at the location.
- NO person not essential to the production or not approved by ARTIST’S
tour manager or personal assistant specifically, should be allowed
backstage at any time from load-in to load-out.
- PURCHASER shall arrange for and provide a secured, locked area
for ARTIST’S and band equipment from time and date of arrival until
departure.
8. PARKING
PURCHASER shall provide, free of cost to ARTIST, parking for one
(1) 50 foot truck or two (2) 24 foot trucks, five (5) sedans or one
(1) bus and one (1) sedan.
9. TIME REQUIREMENTS:
PURCHASER agrees that the location at which ARTIST’S performance
will be rendered shall be available for rehearsal, sound check and
technical set-up for a period of at least six (6) hours, commencing
no less than seven (7) hours prior to the opening of house to the
audience. PURCHASER further agrees that the electricians, stagehands,
soundmen and all technicians who will render services at the time
of ARTIST’S performance hereunder will be available during such period
of time.
10. STAGE EQUIPMENT AND CREW:
In any location where there is no loading dock available to permit
unloading of EMPLOYEE’S equipment directly to stage area, PURCHASER
shall provide free of cost to ARTIST, one (1) forklift truck with
operator for unloading and loading of equipment at the time of load-in
and load-out.
PURCHASER shall provide, free of cost to ARTIST, the following minimum
stage crew and other personnel:
- Lights - 3
- Sound - 3
- Prop or Deck Hands - 2
- Loaders - 2 (when necessary)
- Runner - 1
All personnel shall be available from commencement of load-in to
completion of load-out unless otherwise specified by ARTIST’S tour
manager.
11. CATERING
PURCHASER shall provide, free of cost to ARTIST refreshments and
catering as follows:
- LOAD IN At commencement of band load-in, PURCHASER
shall provide twenty-four (24) (500ml) bottles of spring water (non-carbonated),
one (1) six pack of Dr. Pepper, one (1) six pack of Diet Pepsi,
one (1) six pack of Coke, one (1) six pack of Pepsi, (1) six pack
unsweetened Ice Tea, Hot Coffee, Hot Tea with honey, and a cooler
filled with ice and one (1) dozen glasses (plastic is acceptable,
paper and Strofoam is not). Thereafter, and when designated by ARTIST’S
representative, a lunch consisting of sandwiches for band and road
crew of ARTIST will be provided. These sandwiches shall consist
of ham, turkey, cheese or chicken. for approximately fifteen (15)
people.
- MEAL In the event ARTIST is engaged for two (2)
performances on the same date, PURCHASER is to provide meals for
the ARTIST, Band and Crew between performances. The menu shall be
determined by the ARTIST’S tour manager.
- SHOW One hour prior to show time(s), in addition
too the Load In refreshments, the PURCHASER shall also provide twenty-four
(24) (500ml) bottles of spring water (non-carbonated), one (1) six
pack of Dr. Pepper, one (1) six pack of Diet Pepsi, one (1) six
pack of Coke, one (1) six pack of Pepsi, (1) six pack unsweetened
Ice Tea, Hot Coffee , Hot Tea with honey, and a cooler filled with
ice and one (1) dozen glasses (plastic is acceptable, paper and
Strofoam is not), for approximately fifteen (15) people.
12. PERSONNEL ROSTER
Glen Campbell, AFM #47, SAG, AFTRA
Debby Campbell - Guest Performer
Stan Schneider - Manager
Bill Maclay - Tour Manager
T. J. Kuenster, Keyboards, Musical Director, AFM #47
Ken Skaggs - Steel Guitar, Guitar, Mandolin, AFM #586
Russ Skaggs - Bass, AFM #586
Gary Bruzzese - Drums, AFM #586
Brad Conyers – Monitor Engineer (lead)
Richard Landers – House Engineer
John Ottenstein – Stage Manager / Driver
Any questions relative to travel, logistics or production should
be directed to the Tour Manager Bill Maclay.
Bill Maclay’s Phone Numbers:
- Office (310)-552-0960
- Cell (Best Number) (602) 549-5146
- Fax (707) 885-7623
FOR THE MOST UP TO DATE ADVANCE INFORMATION, PLEASE VISIT OUR
PRODUCTION WEB SITE www.tourdog.com
AGREED TO AND ACCEPTED:
___________________________________ __________________________________
PURCHASER GLEN CAMPBELL ENTERPRISES, LTD.
f/s/o GLEN CAMPBELL
